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Javelin Releases HEALTH "In Heat" Remix On Pitchfork + 11 SXSW Dates
Play Big Ears Festival, March 27th / US Spring Tour, April Dates With Yeasayer
Debut LP No Mas Out April 20th On Luaka Bop
Click Here To Download & Share "In Heat" Remix
NY Press : "There's no denying the comedic flourishes of Javelin, but humor's just one corner of a broader, consignment-pastiche landscape"
Tokion Magazine : "Carefully crafted, sample-based beats are paired with vintage synthesizer melodies to produce infectious pop that forces you to up-jumps-the-boogie every time it hits you ears"
Relix : "...these Rhode Island-born, New York-based quirky cousins splice and dice songs, samples and beats-adding stomping percussion and warped vocals to create a sound that's like Girl Talk on a tropical acid trip"
Pitchfork : "Tom van Buskirk and George Langford turn their random eccentricities and dollar bin gold into first-hand art."
LA Times : "The Luaka Bop-signed outfit is one the most notable acts to emerge this year: It has the incredible ability to create music that makes you happy." -
Coke Machine Glow : "Javelin approach the crate digger’s aesthetic in much the same way their formidable forebears (Avalanches, RJD2, Beck) have, adding a personal flair to well-worn classics and (more often) obscure diamonds in the rough."
“George was pretty damn eclectic as a kid,” says Tom Van Buskirk, referring to his cousin/Javelin collaborator, George Langford. “I was more of a snob, growing up on the Beatles and classical music. Like I didn’t get into Nirvana until after MTV Unplugged came out. I’m always late to the party.”
Maybe that’s why Javelin formed in 2005—to throw a party of their own, one that sees nothing wrong with dropping crooked disco (“On It On It”), schoolyard funk (“Intervales Theme”), abstract R&B (“Dep”) and pitch-perfect pop (“Mossy Woodland”) in the same set. At least that’s the way things unfold on Javelin’s debut album, No Más, the eagerly-awaited follow-up to a self-released collection of demos (Jamz n Jemz) and a pair of limited Thrill Jockey 12-inches (Javelin, Number Two).
It’s as if Javelin were programmed to reproduce the golden age of every genre known to man, bouncing between samplers and strings, drum machines and drum sets, and a growing collection of guitars, horns and homemade thumb pianos. You read that right: Most of No Más’ dusty 45 moments aren’t lifted from actual recordcrates. They’re painstakingly recreated, note by note, from the jukebox in Javelin’s collective mind.
“I love making music that has flaws and human fingerprints all over it,” adds Langford. “There’s also that grey area where you can’t tell what’s a sample, although it leaves you wanting to say, ‘Hey, I did that!’”
There’s no denying who’s doing what at Javelin shows, ever-evolving pieces of performance art that leave the laptops at home and have more in common with the multi-tracked madness of an old Jamaican sound system than the standard guitar/bass/drums setup of a ‘band’.
“The worst thing in the world would be to have a wall of dudes staring at your gear, watching your every move,” says Langford, “So we try to inject as much life and energy into our performances as possible.”
When they first started playing around Providence, this meant an overwhelming array of “turntables, glockenspiels and percussion.” Now that they’ve settled in Brooklyn and stripped their restless sound down to its bare essentials, Javelin’s become known as the guys with the boom boxes, a Flaming Lips-like technique that’s allowed them to break down the artist/audience wall at such tour stops as New York’s Museum of Modern Art.
“A lot of people think they’re ornaments, but they play sound,” says Van Buskirk. “It’s like, ‘You really thought we dragged all of this here for nothing?”
Never. You see, everything has its place in a Javelin song, from the shimmering keys and brassy strut of “Shadow Heart” to the loony tune loops of “Oh! Centra.” So if you’re trying to ‘figure Javelin out’, don’t bother. These musical omnivores work their music like a rabid radio dial, leaving a tricky trail of sonic breadcrumbs in their wake. Or as Langford puts it, “The minute I start working in one style, I get distracted and want to work on another one. We kinda gave up on finding our ’sound’ years ago.” |
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SXSW Dates
3.17 (5:30pm) - Shangri La's 1016 E. 6th St. (Enter at Garden entrance on Medina)
3.17 (10:00pm) - Buffalo Billiards - 201 E. 6th St.
Ms Bea's - 1104 E. 6th St.
3.18 (2:30pm) - Scoot Inn (Baeble Music Party) - 1308 E. 4th. St.
3.18 (6:15pm)- The Side Bar (Spectre Party) - 602 E. 7th St.
Vice House (Lose Control/Hype Machine)
3.19 (1:00pm) - Emo's (Windish/Pitchfork Party) - 600 Red River St.
3.19 (3:00PM) - Lovejoys (I guess I'm floating party) - 604 Neches St.
3.19 (5:00PM) - Okay Mountain (KVRX party) - 1312 East Cesar Chavez
3.20 (5:20PM) - Mohawk (MOG party) - 912 Red River St.
Longbranch Inn (Impose Party) - 1133 East 11th Street
Tour Dates
3/23 - The Jackpot Saloon - Lawrence, KS#
3/22 Sang House - Fayatteville, AR #
3/24 - Bourbon Theatre - Lincoln, NE#
3/25 - Public Space One - Iowa City, IA#
3/26 - The Bishop - Bloomington, IN
3/27 - Big Ears Festival- Knoxville, TN
3/28 - Cafe Bourbon St - Columbus, OH
3/29 - The Cafe - Detroit, MI#
3/30 - And And And (Artspace)
- Toronto, ON#
3/31 - The Friendship Cove - Montreal, QC#
Yeasayer US Tour
SAT 4/3 WASHINGTON, DC 9:30 CLUB*
SUN 4/4 CARRBORO, NC Cat's Cradle*
MON 4/5 ASHEVILLE, NC Orange Peel*
TUE 4/6 ATLANTA, GA Masquerade*
WED 4/7 MEMPHIS, TN Hi Tone Café*
THU 4/8 DALLAS, TX Granada Theatre*
FRI 4/9 HOUSTON, TX House of Blues*
SAT 4/10 AUSTIN, TX The Parish*
SUN 4/11 AUSTIN, TX The Parish*
TUE 4/13 MARFA, TX Crowley Theatre*
WED 4/14 TUCSON, AZ Club Congress*
THU 4/15 PHOENIX, AZ Rhythm Room*
* Yeasayer
# These Are Powers
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